I'm so happy to bring you the second instalment in this series of conversations with our favourite designers. I remember my excitement the first time I saw Carolyn Friedlander's fabric. Everything about it appealed to me. It was finely detailed, looked like it had been drawn at a drafting table, it was uniquely cartographic, (and being a former geographer, maps are my favourite language) and it reflected her architecture roots, without looking like a blueprint.
Carolyn's style has grown and evolved but these elements remain. She's a master at blending deep intense colour with stark and pale prints. She also has a singular style for mixing hues.
There is something else that I really appreciate about Carolyn. Like many designers she demonstrates her amazing attention to detail, but in her case, this has extended to an appreciation for "slow sewing" and her influence has been spreading. Her book, Savour Each Stitch, and Slow Sewing Studio projects reflect this.
Here are Carolyn's engaging answers to my questions. And, a lovely surprise...